Keynote stage with a curved birch slat wall and black truss in a daylit converted hall, rows of oak chairs

Pictured: rehearsal morning before the Northwind Labs field kickoff, 1,400 seats.

Pictured: rehearsal morning before the Northwind Labs field kickoff, 1,400 seats.

Show production for company conferences

Show production for company conferences

Pavilion is a 30-person studio in Nashville. We design the stage, build it in our shop and call the show, for 300 to 3,000 guests.

Stages we have built for product and platform teams since 2014

Stages we have built for product and platform teams since 2014

Three rooms from this season

Each one was drawn, built in our shop and run by the same producer from the first walkthrough to the last truck.

Every show starts as a drawing you can mark up

Every show starts as a drawing you can mark up

Two weeks after the walkthrough you get a scaled ground plan, a render of the stage and a load-in schedule by the hour. Mark them up and we redraw within two working days.

Two weeks after the walkthrough you get a scaled ground plan, a render of the stage and a load-in schedule by the hour. Mark them up and we redraw within two working days.

Ground plan, Hall B

Rev 4, scale 1:200

LED wall 12 x 3.5 mStage 14 x 5 m1,400 theatre styleFront of houseCamera riser42.0 m30.5 m
Load-in schedule showing 36 hours from dock to doors, from truss and lighting to speaker rehearsal

Ground plan to scale

Week 2

Stage renders from three seats

Week 2

Line-item budget in USD

Week 2

Load-in schedule by the hour

Week 5

From walkthrough to strike in four stages

From walkthrough to strike in four stages

Most conferences book us 10 to 16 weeks out. Eight weeks works when the venue is already set.

Most conferences book us 10 to 16 weeks out. Eight weeks works when the venue is already set.

Week 1

Walkthrough and brief

We walk the venue with you, measure the room and write a one-page brief: headcount, moments, budget.

Weeks 2 to 5

Design and drawings

Ground plan, stage renders, content plan and a line-item budget. Two rounds of changes are built in.

Weeks 6 to 10

Build and rehearse

The set is built and test-assembled in our shop. Show week, we load in and rehearse every speaker.

Show day

Show day and strike

A show caller runs every cue from front of house. We strike overnight and send a wrap report in a week.

Rooms we build most, besides the main stage

Rooms we build most, besides the main stage

Headcounts are ranges we have built for, not limits. Build times are for a venue we have walked.

Headcounts are ranges we have built for, not limits. Build times are for a venue we have walked.

Breakout room with rows of oak chairs facing a screen in a whitewashed brick hall

Breakouts

40 to 250 per room

Two-story birch and fabric brand pavilion inside a skylit exhibition hall

Expo pavilion

20 to 200 square meters

Broadcast set with two lounge chairs on a round platform, a birch slat backdrop and three cameras

Broadcast set

Studio or hybrid

Half a day in

White clear-span tent pavilion with chairs and a low stage on a lawn beside an office building

Lawn pavilion

100 to 800 guests

Tent, stage and power in two days

Arrival hall with a long birch registration counter and blank white wayfinding pylons

Arrivals

300 to 3,000 guests

Counters and wayfinding in half a day

Long dinner table for twenty-four under timber roof trusses with a screen at the far end

Offsite dinner

20 to 150 guests

One day in, out by midnight

What two clients said after the strike

“Our kickoff moved to a 1,400-seat room eight weeks out. Pavilion redrew the stage in four days, and the show ran on time to the minute.”

Renata Okafor

VP Field Marketing, Northwind Labs, Austin

“We used to rent AV from the hotel and hope. Now one producer owns the whole room, and the final bill landed within 2 percent of the estimate.”

Marcus Hale

Head of Events, Ledgerline, Chicago

Questions we answer on the first call

Budgets, lead times, venue rules and what happens when plans change. Anything else, ask a producer.

What does a show like this cost?

Most of our general sessions land between $120,000 and $400,000 for production, depending on the room size, the screens and how much we build. Design starts at $12,000. You get a line-item budget in USD before anything is built, and it only changes if the scope does.

How far ahead should we book?

Can you run a hybrid show?

Do we have to use the venue's in-house AV?

What happens if our headcount changes?

Are you insured and union-ready?

Tell us the room, the date and the headcount

Tell us the room, the date and the headcount

A 30-minute call with a producer. You leave with a budget range for your room size and a straight answer on the timeline.

Show production for company conferences, launches and dinners, built in our own shop in Nashville.

© 2026 Pavilion Stageworks. All rights reserved.

© 2026 Pavilion Stageworks. All rights reserved.

Producers answer Monday to Friday, 8am to 6pm Central

Producers answer Monday to Friday, 8am to 6pm Central

Pavilion

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